New from Plumbago! (02-03-2025)

Christopher Wintle, A Paddle of Ducks (with: Ana Maria Pacheco The Misfortunes of a Sardine [eight drypoints]), Plumbago Books (London), 2025, x + 158 pp. with 14 colour photographs, ISBN 978-1-7392945-3-3, p/back only, £12. Also available from the publisher (with no p&p): plumbago@btinternet.com
Each generation expects to yield more or less gracefully to the next. Yet, in 2025, the all-but-vanished post-war age seems markedly at odds with its successor. After 1945, British culture responded to the initiatives the European émigrés brought with them: it found the unfamiliar voices galvanizing, and enjoyed moving into unknown territory. The new age, by contrast, can seem enclosed, self-righteous and barely concerned with the past. So, even as it doffs its hat and bids its farewells, this collection of memoirs and tributes implicitly calls for a more open and better-rooted future. The majority of the twenty-two figures who make up this ‘paddle of ducks’ are musicians. Almost all are, or were, known to the editor. The composers are Benjamin Britten, members of the ‘Manchester School’ – Harrison Birtwistle, Peter Maxwell Davies and Alexander Goehr – as well as three Europeans – Benet Casablancas, Gérard Grisey and Egon Wellesz; performers are represented by Paul Hamburger and Anthony Negus; and critics by Hans Keller and Bayan Northcott. As a composer-writer, Hugh Wood is a distinguished hybrid. Beyond music, there are entries on Lindsay Anderson and Dirk Bogarde (cinema), Isaiah Berlin (philosophy), Patrick Heron (painting) and a number of academics – Geoffrey Chew, Robert Donington, Peter Evans, David Gervais and John Simopolous. There is also an illustrated tribute to the Anglo-Brazilian artist Ana Maria Pacheco that includes a set of her drypoints. By exploring the many ways of paying homage, this amusing but focussed collection mounts a novel exercise in contemporary rhetoric.
CHRISTOPHER WINTLE is an emeritus musicologist at King’s College London. He has also written books on Britten (All the Gods) and opera (What Opera Means) and edited ten volumes of essays by the émigré Hans Keller and his circle. His aphorisms on life and art form the backbone of Metapoetics, which also includes pictures by Ana Maria Pacheco.