Introduction
Part One: Documents
- I. The First Leeds International Pianoforte Competition
- II. The Three Versions of the Musical Text
Part Two: Scores
- Version A. ‘Notturno’, Original Version (Manuscript) and Transcription
- Version B. ‘Night-piece’, Second Manuscript Version
- Version C. ‘Night-piece’, Printed Version
Part Three: Theory and Analysis
- I. Theory: The Modes
- II. Analysis
Part Four: Ideas
- I. Tradition, Devotion, Creativity and Idea
- II. Idea as Form
- III. Idea as Steigerung (Intensification)
- IV. Idea as Neapolitan Complex
Appendices
- I. On Intensification (‘Was ist Steigerung’)
- II. On the Neapolitan Complex (‘The Sceptred Pall: Brahms’s Progressive Harmony’)
see also:
- introduction
- publication details and contents
- excerpts from the book
- press release 1-3-07: All the Gods wins Sue Thomson Publishing Foundation award