• Contents
  
  
• Part One: Documents
  • II. The Three Versions of the Musical Text
    • 7. The Recapitulation and its Cadenzas
      
      
• Part Two: Scores
  • Version A. ‘Notturno’, Original Version (Manuscript) and Transcription
    • (bars 1-11)
      
      
• Part Three: Theory and Analysis
  • I. Theory: The Modes
    • Relations between Keys and Modes
  • II. Analysis
    • The Foreground, bars 35-49
      
      
• Part Four: Ideas
  • IV. Idea as Neapolitan Complex
    • (excerpt)
      
      
• Appendices
  • II. On the Neapolitan Complex (‘The Sceptred Pall: Brahms’s Progressive Harmony’)
    • (excerpt)
      

see also:

• introduction
• publication details and contents
• excerpts from the book
  
  
• press release 1-3-07: All the Gods wins Sue Thomson Publishing Foundation award